經(jīng)典的紅樓夢英語讀后感「范文」
導語:紅樓夢是一本著名的課外名著，他給我們講訴了以講述上層社會中的四大家族為中心圖畫，真實、生動地描寫了十八世紀上半葉中國末期封建社會的全部生活，是這段歷史生活的一面鏡子和縮影，是中國古老封建社會已經(jīng)無可挽回地走向崩潰的真實寫照。。下面是小編為大家整理的，英語范文。希望對大家有所幫,歡迎閱讀，僅供參考，更多相關(guān)的知識，請關(guān)注CNFLA學習網(wǎng)!
紅樓夢英語讀后感：
"A dream of red mansions" is a China in the late feudal society's encyclopedia. Novel describes four big families of the upper social centered pictures, real and vividly the late eighteenth century China feudal society's entire life, is a mirror of the history of life and the microcosm, is China's ancient feudal society has irreversibly collapse. Write each character alive, begin with the nuwa myths to elicit a story -- the stone. Have to zhen (true) hermit for clues to begin or end the whole story.
In the far ocean the other shore another country - Britain. She gave birth to a great and outstanding, talented, playwright, he is a Shakespeare. He used his life experience of carry forward its own unique a form of art, drama. At that time, a nation, his immortal soul, in various forms, enrich themselves. Just like Shakespeare and the delicate relationship drama, cao xueqin and its a dream of red mansions, is part of our Chinese nation immortal soul. Rather than he is asynchronous great book, it is a general history of China. Rather than it is to write a noble life, at that time the situation is. From a little details, the charm of the language, with the vivid language created many characters. From the character's every move, smile,. Storing and releasing kinetic energy A spark all reveal the characteristics of the characters, it's safe to say that language narration can not find out a flaw. And from which you can see the development of a nation, and the sticking point of concrete, concrete the livelihood of the people of the meter, which is associated with this. It's not just a literary works, it is a history.
Say is the first eighty back to front, and then forty back I think exactly the opposite. From many flaw, such as jia baoyu in eighty back to the time before already implies that it is a tragic character, and to high hubei's it became a willing to learn and to take an examination and a earning juren, from a child to a studious person, almost no cohesion among this, it is inconceivable. And at the end and leave is pregnant the treasure chai become a monk. And it is said that high hubei because a funding, take written of the red chamber, I think a purpose is not so clean and pure person, and no understanding that written by cao xueqin's dream of red mansions. Cannot be written. Besides, imagine as it is very hard to depict characters of cao xueqin, is not easy to achieve. I see is inferior to leave the forty don't write back, give a person to daydream space, very good.
Warnings: humble room empty hall, the wat full bed; CuiCao withered Yang, for singing and dancing; Silk covered with carved beams, and the green yarn on PengChuang again today. Say what fat is thick, powder is sweet, how to temples and cream? P redictors yesterday (head bones, tonight red bottom gauze account lie mandarin duck. Gold box, silver box, suddenly a beggar who is evil; Is sigh he lives is not long, the know his return? Hardwood training well, Paul indefinite future. Choose the rich men's, who ChengWang was stranded in the! Because of too small shamao that lock cangue carry; Flow broken coat cold yesterday, today too long purple python: I ____ you, township to recognize it is my hometown; Very silly, in the end are JiaYiChang for others.
《紅樓夢》是一部中國末期封建社會的百科全書。小說以講述上層社會中的四大家族為中心圖畫，真實、生動地描寫了十八世紀上半葉中國末期封建社會的全部生活，是這段歷史生活的一面鏡子和縮影，是中國古老封建社會已經(jīng)無可挽回地走向崩潰的真實寫照。把一個個的人物寫的活靈活現(xiàn)，有以神話故事中的女媧為開頭引出這一故事——石頭記。有以甄(真)隱士為線索開始即結(jié)束了整個的故事。
在遙遠的大洋彼岸又一個國度——英國。她誕生了一位偉大的、杰出的、有天賦的，劇作家他就是莎士比亞。他用他畢生的經(jīng)歷發(fā)揚了本國的獨有的一種藝術(shù)形式——戲劇。那時一個民族，他那時代不滅的靈魂，以各種形式表現(xiàn)著自己、充實著自己。正如莎士比亞與戲劇的微妙關(guān)系一樣，曹雪芹及其《紅樓夢》，就是我們中華民族不朽靈魂的一部分。與其說他是異步偉大的巨著，不如說它是中國通史。與其說那是寫貴族的生活，不如說是當時時局的真實寫照。從一點點的細節(jié)來講，那種語言的'魅力體現(xiàn)出來，用形象生動的語言塑造了許許多多的人物形象。從人物的一舉一動、一顰一笑、一張一弛。一絲一毫無不張顯出人物的特點，可以說那種語言的敘述找不出一絲破綻。而從中又可以看出一個民族發(fā)展的問題，具體的癥結(jié)，具體的民生國計，無不與此相關(guān)聯(lián)。這不只是一部文學作品，又是一部史書。
前面說都是前八十回，而后四十回我認為恰恰相反。從中有許多的破綻，例如賈寶玉在前八十回的一回中已經(jīng)暗示到其是一悲劇人物，而到高鄂的筆下它又成了一個樂于學習又參加考試而考取舉人，從一個頑童到一個好學之人，這中間幾乎沒有什么銜接，是很令人匪夷所思的。而且在最后又丟下已經(jīng)懷孕的寶釵出家為僧。而且據(jù)說高鄂是因為一個上任的資助，取續(xù)寫紅樓的，我認為一個初衷就不那么純潔的人，并且也沒有理解到曹雪芹的寫的《紅樓夢》。是無法寫好的。再說想象曹雪芹一樣的來刻畫人物是非常難的，不是容易達到的。我看到不如留下這四十回不寫，給人以遐想的空間，還是挺美好的。
警語：陋室空堂，當年笏滿床;衰草枯楊，曾為歌舞場;蛛絲兒結(jié)滿雕梁，綠紗今又在蓬窗上。說甚么脂正濃，粉正香，如何兩鬢又成霜?昨日黃干隴頭埋白骨，今宵紅綃帳底臥鴛鴦。金滿箱，銀滿箱，轉(zhuǎn)眼乞丐人皆謗;正嘆他人命不長，那知自己歸來喪?訓有方，保不定日后作強梁。擇膏粱，誰承望流落在煙花巷!因嫌紗帽小，致使鎖枷扛;昨憐破襖寒，今嫌紫蟒長：亂烘烘你方唱罷我登場，反認它鄉(xiāng)是故鄉(xiāng);甚荒唐，到頭來都是為他人作嫁衣裳。
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